My challenge painting have been on hold for the last week as I get ready for our Open Studio sale this Saturday. But I was itching to add to my collection so I managed to paint three new variations. This is my favorite of the three. It was painted on recyled pastelbord. To make the snow, I shaved some white pastel onto the painting and pressed it in with a palette knife. It makes me cold just looking at this one!
Wednesday, November 25, 2009
I was reading my Southwest Art magazine last night before bed and I woke up with the idea to paint some variations inspired by John Nieto. I love his color palette and I knew I had just the right pastels in my Jack Richeson homemade soft pastel set. See the photo below for the pastels I used. Two of the variations were done on black paper which I think worked best. This was fun!
Monday, November 23, 2009
Friday, November 20, 2009
I just got back from a great week on the South Carolina Coast. I attended a great workshop withStan Sperlak. One of the demos he did for us was to paint the marsh using only a few light value pastels. The finished painting had a wonderful and mysterious feeling. I thought it would be fun to try it on a couple of my variations. I only used 4 pastels for each of these and they were middle light to light value. The support I used was canson board prepared with pumice and gesso mix so it was quite rough. I think I will try a blue, green and purple version!
Tuesday, November 17, 2009
I am back from a wonderful week painting on the South Carolina coast. I attended a mentoring workshop with Stan Sperlak on Kiawah Island and it was so much fun. I got some painting done but had to put my challenge on hold for the week. Today's post is from before I left. I was experimenting with making the sky more interesting. I did paint a new one today but I won't get back up to speed until after the weekend. I am teaching two workshops this weekend so I am busy doing final preparations. While I was away I thought of some ideas for my next challenge so this blog will be staying quite active! Thanks for visiting. If you are interested in seeing more of my work check out my daily painting blog at www.kemstudios.blogspot.com
Friday, November 6, 2009
I realized that the first half of the variations had a boring simple sky. Why didn't I play with the variations of clouds and weather? I know I will be focusing on the sky for at least several more. My project will be on hold for a week while I attend a workshop in South Carolina with Stan Sperlak, a wonderful pastel artist. I am bringing 5x7 paper in case I get the urge to paint a few variations. I will be back to posting next week.
Tuesday, November 3, 2009
'Variation #61' 5x7 pastel
Last week it seemed to be all about texture and I experimented with ways to get the pastel on thick and look more like paint. This week I seem to have shifted somewhat in my style. I am returning to a bit more realistic look and my latest have quite a moody feel to them. This one is my favorite of the last few. It was painted on black sandpaper. A student of mine gave me a sheet of wet/dry silicon carbide paper to try. I know it isn't archival but oh it was so nice to paint on! The pastels went on like butter.
'Variation #57' 5x7 pastelVariation #57 is painted on reclaimed Uart paper. Actually #55, 56 and 57 were once paintings that weren't working. I brushed off the pastel and did an alcohol wash to set this base layer which was for the most part a dark gray. I like how cold and icy this one looks.
'Variation #53' 5x7 pastel
This variation is for Jayne! The other night at class Jayne needed to borrow a piece of paper. I had some canson boards cut down to 5x7 that I was able to share. We don't usually like to work on Canson and this was canson mounted on matboard so the right side or the bumpy side was showing. Not fun to paint on and Jayne was not having fun with it. I had three of those big canson boards that I needed to use so I decided to apply a pumice/gesso mix to it to give the surface more tooth. It worked like a charm and gave me a nicely texture surface to work on. I tinted the mixture orange before I applied it. It worked great with no buckling of the board. Now I have a stack of 5x7's to paint on. I made my pumice mix pretty rough because I wanted a lot of tooth. As you can see in this painting, I couldn't put in too much fussy detail.
Monday, November 2, 2009
Sunday, November 1, 2009
'Variation #53' 5x7 pastel
You have to love Uart paper. Does it ever take abuse! This variation was an idea taken from Bill Creevy's book 'The Pastel Book'. It's a great book for pastel artists with a lot of great things to try. For this painting I started with a loose underpainting using soft pastels. Then using a palette knife I spread some acrylic matte medium over the painting. It softened and darkened the pastel and spread it around a bit. Have a look at the top photo to see how it looked after I applied the matte medium. The matte medium also acts as a fixative so once it was dry I was able to continue building pastel layers. I could have repeated the process building even more layers but I was satisfied with the outcome after one application of the matte medium. Now that was fun!
Saturday, October 31, 2009
'Variation #51' 5x7 pastel
This painting is another experiment with texture. It was done on a piece of Uart 600 grit paper. After my first layer of pastel I sprayed a liberal amount of fixative and while it was still wet I drew into it with the back of a thin paintbrush. When it was almost dry I started to drag soft pastels over the fixed areas. You can see where it skipped the low areas and left pastel on the raised areas. I find that Terry Ludwig pastels work good for this technique because of the softness and the shape.
Friday, October 30, 2009
A month ago when I began this challenge I knew I would enjoy it but I had no idea just how much it would recharge and energize me. I was a bit concerned that I would run out of ideas by 50 paintings but instead I am filled with ideas I want to try. I am already planning for my next challenge. I always tell others that the thing that really improved my work was doing a daily painting....in effect starting to accumulate those 'miles of canvas'. I enjoy doing a daily painting but this challenge has given me permission to paint 'outside of the box'. There is no need to worry about creating a good painting. This is for fun...a chance to try new techniques and color combinations. What have I discovered so far?
- I tend to reach for the same colors though I have tried to get better about this. This challenge has shown me that I haven't really explored new and exciting color combinations.
- I have been told I paint loose and painterly but I discovered that my usual style still can be fussy. I still want to 'decorate' my trees with leaves and skyholes. I am enjoying when I do a variation that is less fussy and more abstract. I don't know where I will go with that in my other work but I am having fun with it here.
- I am enjoying working on a textured surface and building up thick layers of pastel.
'Variation #50' 5x7 pastel
Now this one I really had fun with! It started out on Uart paper with an oil paint underpainting which was applied very thin and drippy. After I put down a few layers of pastel I sprayed fixative (my can is getting low!) Then while the fixative was wet I went in and spread the pastel around. When it dried I was able to add a few more layers of pastel. I have been choosing my colors in advance for the last few. It helps me keep the flow of the painting if I already have my colors selected.
'Variation # 6' 5x7 pastel
This variation is totally different from my usual style. It is also an earlier painting. I was inspired by the work of Mark Leach for this one. It reminds me that I need to try more like this one...maybe even flatten the landscape even more.
'Variation #48' 5x7 pastel
Now I am getting into texture. This one was painted on Uart 600 paper. I did a watercolor underpainting using hot pinks. After I put down my first layer of pastel I sprayed the tree area with workable fixative. I added more layers. Then I put some rubbing alcohol in a spray bottle and sprayed the painting. The alcohol dried quickly but allowed be to keep adding layers. You can see my trees now have trunks!
I am really enjoying the 100 variations challenge. If I could, I would work on them all day long. I have been painitng every day for the last four years but this is different. Never have I felt more excited and energized about painting. Anything and everything goes and I am getting more and more experimental. I am thinking about putting the paintings in a dedicated blog so I can document the techniques I use for each one. I think it will be fun and instructional to see them all together. For this variation I recycled a used pastelbord by brushing on a coat of pumice/gesso mix tinted burgandy. I used fixative in between layers, which I brushed in for additional texture.
If you have been following my challenge you can see that I have had a prolific week. I worked on these in the evenings and it seemed like one idea led to yet another idea and I found it hard to stop! It has been a great learning experience and I am enjoying the freedom to try just about anything. I can't wait to get started on the next batch! In case you are a new visitor, my challenge is to paint 100 variations of the same scene. Each painting is 5x7 and done with pastels on a variety of papers.
When I started the 100 variation painting challenge I was afraid I might run out of steam or ideas. Instead just the opposite has happened. The more variations I paint, the more ideas I have. In fact I was dreaming about variations last night! I can't wait for the weekend when I will have more time to devote to doing more. I didn't set a time limit to complete the project but with 35 finished I figure I will be done in another month. I have 14 new paintings to share. I made a collage which I will post tomorrow.
Here are the paintings from week two of my 100 variations challenge. Each one is 5x7 and is done on various papers. I am keeping a log of the papers and techniques I am trying for future reference. I have another busy week finishing two commissions but after that I will have more time to devote to the challenge. It is a lot of fun and a great learning experience so far.
I found a way to put all of my challenge paintings into one post. Yeah! I actually have three more new ones but they will be a part of week two. The challenge is to paint the same image 100 times. I am having so much fun with this. It is a great opportunity to experiment with techniques and colors that you might not think to try. It is fun to come up with new ways to interpret this scene and it will be interesting to see what happens after say 50! Each painting is 5x7 and are all on different surfaces.
'Farm View #2' 5x7 pastel
This is actually the third variation I've completed but since I plan to paint 100, I won't be posting all of them here on my blog. Most likely I will combine each week's paintings into one post. I am also keeping a log in which I will record the type of paper and pastels I use as well as any technique I am trying. This way I can always look back in my log to see how I did a painting....I know I will forget after about 10! I am having fun with these but this weekend is devoted to working on commissions!
If you haven't read about the Variations on a Theme challenge, check out my post below. This is my first painting of the challenge....99 to go! I looked at the photo for this one but I think in the future I will just look at my notan. I am going to make a list of the possibilities I might try for each one. This is going to be fun! My travel parner vips should recognize this particular farm!
This painting has been sold
I couldn't resist joining this challenge. Over on Wet Canvas in the pastel forum, Deborah Secor has challenged us to join her students as they try to paint 100 variations on the same composition. You may have seen the recent Pastel Journal article about artist Marla Bagetta and her 100 paintings. She is the inspiration for the challenge. Read more about it here. I started by choosing a simple composition and doing some notans or value sketches to see if this will be an interesting enough composition to paint many times. I decided that it was better as a 5x7 rather than a square. I plan to devote no more than 30 minutes for each painting. I'll post my first one later.